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Graham Rogers 3z3q58

Reviews by Graham Rogers 2h6644

  • Review of Violin Sonatas (violin: Leonidas Kavakos, piano: Enrico Pace)

    Violin Sonatas (violin: Leonidas Kavakos, piano: Enrico Pace) Ludwig van Beethoven 1vo1e

    This joyous set of Beethoven's sonatas takes its place among the very best.
  • Review of Schubert Edition Vol. 7: Erlkönig (baritone: Matthias Goerne; piano: Andreas Haefliger)

    Schubert Edition Vol. 7: Erlkönig (baritone: Matthias Goerne; piano: Andreas Haefliger) Franz Schubert 3i6p5r

    The pair exhibits a refined style on these illuminating performances.
  • Review of The Rape of Lucretia (conductor: Oliver Knussen; Aldeburgh Festival Ensemble)

    The Rape of Lucretia (conductor: Oliver Knussen; Aldeburgh Festival Ensemble) Benjamin Britten f288

    A deeply affecting experience that ought to win the opera many new irers.
  • Review of Cantatas vol. 51 (Bach Collegium Japan; conductor: Masaaki Suzuki)

    Cantatas vol. 51 (Bach Collegium Japan; conductor: Masaaki Suzuki) Johann Sebastian Bach 2w3x47

    Fluently stylish and idiomatic, these performers live and breathe Bach's music.
  • Review of Das Wohltemperierte Clavier (Books I and II) (feat. piano: András Schiff)

    Das Wohltemperierte Clavier (Books I and II) (feat. piano: András Schiff) Johann Sebastian Bach 3na6m

    Schiff transcends all questions of instrumentation to deliver a pure experience.
  • Review of Don Giovanni (Ildebrando D'Arcangelo; Mahler Chamber Orchestra; conductor: Yannick Nezet-Seguin)

    Don Giovanni (Ildebrando D'Arcangelo; Mahler Chamber Orchestra; conductor: Yannick Nezet-Seguin) Wolfgang Amadeus Mozart 68663u

    The most exciting and consistently well-sung Don Giovanni to appear for several years.
  • Review of The Beethoven Journey: Piano Concertos Nos. 1 & 3 (feat. piano: Leif Ove Andsnes; Mahler Chamber Orchestra)

    The Beethoven Journey: Piano Concertos Nos. 1 & 3 (feat. piano: Leif Ove Andsnes; Mahler Chamber Orchestra) Ludwig van Beethoven 1p4x6h

    The first step on what seems to be a joyous journey for the Norwegian pianist.
  • Review of Piano Concertos Nos. 9 & 21 (feat. piano: Mitsuko Uchida; The Cleveland Orchestra)

    Piano Concertos Nos. 9 & 21 (feat. piano: Mitsuko Uchida; The Cleveland Orchestra) Wolfgang Amadeus Mozart 6d6n44

    Uchida's measured approach reaps rewards, capturing the joy in this life-affirming music.
  • Review of Violin Concertos / The Hebrides (violin: Alina Ibragimova; Orchestra of the Age of Enlightenment; conductor: Vladimir Jurowski)

    Violin Concertos / The Hebrides (violin: Alina Ibragimova; Orchestra of the Age of Enlightenment; conductor: Vladimir Jurowski) Felix Mendelssohn 1v1w1i

    Ibragimova’s svelte, unforced violin tone is just right.
  • Review of La Finta Giardiniera (Freiburger Barockorchester; Rene Jacobs)

    La Finta Giardiniera (Freiburger Barockorchester; Rene Jacobs) Wolfgang Amadeus Mozart 8236

    An overwhelmingly joyous of one of Mozart’s lesser-known operas.
  • Review of Symphonie Fantastique (Scottish Chamber Orchestra; conductor: Robin Ticciati)

    Symphonie Fantastique (Scottish Chamber Orchestra; conductor: Robin Ticciati) Hector Berlioz 4b726q

    Demands to be heard by all lovers of Berlioz's best-known orchestral work.
  • Review of Prague / A Summer’s Tale (BBC Symphony Orchestra; conductor: Jiří Bělohlávek)

    Prague / A Summer’s Tale (BBC Symphony Orchestra; conductor: Jiří Bělohlávek) Josef Suk 2g4oc

    Bělohlávek and the BBC SO make a powerful case for this intense work.
  • Review of Cello Concerto

    Cello Concerto Edward Elgar 326x17

    A sumptuously recorded new Elgar collection which is impressive throughout.
  • Review of Symphony No. 9 in D Minor (conductor: Simon Rattle; Berliner Philharmoniker)

    Symphony No. 9 in D Minor (conductor: Simon Rattle; Berliner Philharmoniker) Anton Bruckner 423070

    Rattle’s new finale is a resounding success, full of boundary-pushing harmonies.
  • Review of A New Venetian Coronation 1595

    A vividly atmospheric and engrossing remake.
  • Review of Alceste (soprano: Lucy Crowe; tenor: Benjamin Hulett; bass-baritone: Andrew Foster-Williams; Early Opera Company; conductor: Christian Curnyn)

    Alceste (soprano: Lucy Crowe; tenor: Benjamin Hulett; bass-baritone: Andrew Foster-Williams; Early Opera Company; conductor: Christian Curnyn) George Frideric Handel 6r6x5c

    The incomplete ‘incidental music’ for Alceste, conducted with liveliness and sensitivity.
  • Review of Vivaldi: Sacred Works for Soprano and Concertos

    Vivaldi: Sacred Works for Soprano and Concertos Florilegium 4c2j25

    An effectively programmed and well-recorded Vivaldi collection.
  • Review of Ein Deutsches Requiem (feat. conductor: John Eliot Gardiner; soprano: Katharine Fuge; baritone: Matthew Brook; Monteverdi Choir; Orchestre Révolutionnaire et Romantique)

    Ein Deutsches Requiem (feat. conductor: John Eliot Gardiner; soprano: Katharine Fuge; baritone: Matthew Brook; Monteverdi Choir; Orchestre Révolutionnaire et Romantique) Johannes Brahms 6s4y2f

    A carefully considered, mature and generally persuasive recording.
  • Review of Berg & Beethoven: Violin Concertos (Isabelle Faust; Orchestra Mozart; Claudio Abbado)

    Berg & Beethoven: Violin Concertos (Isabelle Faust; Orchestra Mozart; Claudio Abbado) Various Artists 485f17

    Well matches the angst-ridden Berg of the 30s with Beethoven's 19th century romanticism.
  • Review of Die Meistersinger von Nürnberg (conductor: Marek Janowski; Rundfunk-Sinfonieorchester Berlin; Rundfunkchor Berlin)

    Die Meistersinger von Nürnberg (conductor: Marek Janowski; Rundfunk-Sinfonieorchester Berlin; Rundfunkchor Berlin) Richard Wagner 2n296o

    A winning Mesitersinger that more than holds its own with any in the catalogue.
  • Review of Duo Sonatas (violin: Rachel Podger viola: Jane Rogers)

    Duo Sonatas (violin: Rachel Podger viola: Jane Rogers) Wolfgang Amadeus Mozart, Michael Haydn 6d2773

    A warm ambience pervades this highly recommended album.
  • Review of Duo Sonatas Volume 5 (Duo Amadè; violin: Catherine Mackintosh; fortepiano: Geoffrey Govier)

    Duo Sonatas Volume 5 (Duo Amadè; violin: Catherine Mackintosh; fortepiano: Geoffrey Govier) Wolfgang Amadeus Mozart 5b6x3g

    The duo’s individualistic, historically informed approach can be extremely illuminating.
  • Review of Flute and Harp Concerto / Sinfonia Concertante for Winds (Orchestra Mozart; conductor: Claudio Abbado)

    Flute and Harp Concerto / Sinfonia Concertante for Winds (Orchestra Mozart; conductor: Claudio Abbado) Wolfgang Amadeus Mozart n6e4m

    Some of the most satisfying and energising performances you will ever hear.
  • Review of Ezio (Il Complesso Barocco / Alan Curtis)

    Ezio (Il Complesso Barocco / Alan Curtis) Christoph Willibald Gluck 5t6nl

    Showcases its singers’ virtuosic displays – and what a cast this is.
  • Review of Il cimento dell'armonia e dell'inventione - 12 concerti, Op. 8 (The Avison Ensemble; violin: Pavlo Beznosuik)

    Il cimento dell'armonia e dell'inventione - 12 concerti, Op. 8 (The Avison Ensemble; violin: Pavlo Beznosuik) Antonio Vivaldi q47

    A delightful new set which showcases The Four Seasons’ startling originality.
  • Review of Symphonies Nos. 39 and 40 (Orchestra Mozart; Claudio Abbado)

    Symphonies Nos. 39 and 40 (Orchestra Mozart; Claudio Abbado) Wolfgang Amadeus Mozart 12c3c

    An album that absolutely demands to be heard.
  • Review of Agrippina (conductor: René Jacobs; Akademie für Alte Musik Berlin)

    Agrippina (conductor: René Jacobs; Akademie für Alte Musik Berlin) George Frideric Handel 38682n

    This Agrippina is a triumph, unhesitatingly recommended.
  • Review of Keyboard Concertos (piano: Alexandre Tharaud)

    Keyboard Concertos (piano: Alexandre Tharaud) Johann Sebastian Bach 5u6c5y

    Very much a pianist’s take on these wonderfully life-affirming concertos.
  • Review of Piano Sonatas Vol.3 (piano: Jean-Efflam Bavouzet)

    Piano Sonatas Vol.3 (piano: Jean-Efflam Bavouzet) Joseph Haydn 6x2813

    Insightful recordings which considerably further the cause of greater Haydn appreciation.
  • Review of Chamber Vespers

    Chamber Vespers The Gonzaga Band 2m3r8

    A wealth of great invention and craftsmanship to be appreciated.
  • Review of Guillaume Tell (conductor: Antonio Pappano; orchestra: Orchestra dell'Accademia Santa Cecilia)

    Guillaume Tell (conductor: Antonio Pappano; orchestra: Orchestra dell'Accademia Santa Cecilia) Gioachino Rossini 2g4p3h

    A new recording that ought to win Rossini’s last operatic word many new fans.
  • Review of Stabat Mater

    Stabat Mater Gioachino Rossini t1yv

    A splendid new of Rossini’s dramatic, art-defining work.
  • Review of Keyboard Music Vol.2 (fortepianist: Kristian Bezuidenhout)

    Keyboard Music Vol.2 (fortepianist: Kristian Bezuidenhout) Wolfgang Amadeus Mozart 704k69

    Bezuidenhout really does Mozart’s solo piano music the fullest justice.
  • Review of A Worcester Ladymass

    A Worcester Ladymass Trio Mediaeval 511p3t

    An absolute delight that has been worth the wait.
  • Review of I Puritani (Conductor: Vittorio Gui; The Royal Philharmonic Orchestra; The Glyndebourne Chorus)

    I Puritani (Conductor: Vittorio Gui; The Royal Philharmonic Orchestra; The Glyndebourne Chorus) Vincenzo Bellini 3w611c

    A fitting tribute to the phenomenal career of Joan Sutherland.
  • Review of Ottone in Villa (Il Giardino Armonico; director: Giovanni Antonini)

    Ottone in Villa (Il Giardino Armonico; director: Giovanni Antonini) Antonio Vivaldi 1312y

    It’s not the first recording of Ottone in Villa, but it will be hard to beat.
  • Review of Violin Concertos (feat. violin: Rachel Podger; Brecon Baroque)

    Violin Concertos (feat. violin: Rachel Podger; Brecon Baroque) Johann Sebastian Bach 2n36z

    No one will go wrong with this invigorating album.
  • Review of Piano Concertos 22 and 25 (feat. piano: David Fray; conductor: Jaap van Zweden; Philharmonia Orchestra)

    Piano Concertos 22 and 25 (feat. piano: David Fray; conductor: Jaap van Zweden; Philharmonia Orchestra) Wolfgang Amadeus Mozart 6l732u

    A recommended release, recorded with clarity and natural balance.
  • Review of Debussy Piano Music Volume IV: 12 Études (piano: Pascal Rogé)

    Debussy Piano Music Volume IV: 12 Études (piano: Pascal Rogé) Claude Debussy 465r4f

    Packed with remarkable insights that will entrance connoisseurs of the Études.
  • Review of Ein Deutsches Requiem, Op. 45

    Ein Deutsches Requiem, Op. 45 Johannes Brahms 5az4h

    An idiosyncratic offering a wealth of authoritative insight.
  • Review of Duo Sonatas Vol. 3

    Duo Sonatas Vol. 3 Wolfgang Amadeus Mozart 4d33d

    Full of variety and invention, this is delightful music calculated to have wide appeal.
  • Review of Die Zauberflöte

    Die Zauberflöte Wolfgang Amadeus Mozart 3m1o2p

    Jacobs’s is a game-changer: we will never listen to this the same way again.
  • Review of Mass in B Minor

    Mass in B Minor Johann Sebastian Bach j2v6m

    Lovers of this great work will find much to appreciate.
  • Review of Orphée et Eurydice

    Orphée et Eurydice Christoph Willibald Gluck 55326u

    Despite some shortcomings, the poignancy of the music shines through here.
  • Review of Symphonies 29, 31 'Paris', 32, 35 'Haffner' & 36 'Linz' (feat. cond: Sir Charles Mackerras, orch: Scottish Chamber Orchestra)

    Mackerras lavishes these magnificent works with love and commitment.
  • Review of Ivanhoe

    Ivanhoe Sir Arthur Sullivan 706l44

    Makes a compelling case for a work that deserves a modern audience.
  • Review of The Farewell Concerts

    The Farewell Concerts Alfred Brendel 3a2c1

    A welcome coda to his towering recorded legacy.
  • Review of Die Schöpfung (comp: René Jacobs; orch: Freiburger Barockorchester)

    Die Schöpfung (comp: René Jacobs; orch: Freiburger Barockorchester) Haydn 1k2sy

    Jacobs’s impeccable Creation is fresh and often illuminating.